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  1. Dangerous Music MONITOR Mastering Transfer Console

    The sound of the Dangerous Monitor is transparent, yet musical. While achieving ruler flat specifications on paper is possible, the result is often cold and sterile. The marriage of specs and musicality is the ultimate goal- but due to the complexity, remains frustratingly elusive. Fortunately, Chris Muth, the equipment designer for many of the world’s top mastering facilities has this gift and the experience. No other audio company shares this pedigree: real world testing and fine-tuning amidst some of the world’s greatest studios and ears. The Dangerous Monitor will change the way you listen.

    MASTER
    AED 14,372.00
  2. Dangerous Music 2-BUS + Analog Summing Mixer

    The Dangerous Music 2-BUS+ is a 2U, 16-channel analog-summing mixer with both XLR and D-sub inputs. It raises the bar on its legendary 2-BUS predecessor with even lower crosstalk, distortion, and noise-floor performance along with stunningly precise soundstaging and center focus. Dangerous spent over two years developing three onboard audio processors that let you, with a simple push of a button and the twist of a knob, add tone and color to your stems or across your entire mix directly from the 2-BUS+. The 2-BUS+ is smartly designed, extremely useful, and sounds incredible.

    2-BUS+
    AED 12,348.00
  3. Dangerous Music D-BOX

    The Dangerous Music D-Box combination Summing and Monitoring System provides an analog summing and monitor management solution for DAW based systems. More and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear. If you find yourself mixing in a variety of situations, don't mix without the D-Box!

    D-BOX
    AED 5,670.00
  4. Rupert Neve Designs 5057 Orbit Summing Mixer

    Rupert Neve Designs 5057 Orbit Summing Mixer Fortified by Rupert’s revered Class A circuits, custom audio transformers, and Silk Red and Blue circuitry for variable harmonic saturation, the 5057 Orbit adds impressive flexibility to your setup, while enhancing lifeless, in-the-box mixes with authoritative weight, warmth, punch, depth, and clarity — without sacrificing the automated convenience of your digital audio workstation. Product Features: 16 Channel Class-A mix bus Silk Red & Blue modes with texture controls for precise control of sound characteristics Very low crosstalk for a wide stereo image and a sonic depth Cascadable via bus link with multiple 5057 units Input impedance: 16 K Ohm Frequency response: 10 to 50000 Hz: +/- 0.1 dB Max. input level at 1 kHz: +26 dBu Max. output level at 1 kHz: +26 dBu Distortion factor (from 22 Hz - 22 kHz): 0 dBu at 1 kHz: 0.003%, +20 dBu at 1 kHz: 0.0006% 2 x DB25 inputs (TASCAM standard) and XLR outputs Can be combined with other Rupert Neve Designs summing units via Buss Link Dimensions (W x D x H): 483 x 229 x 44 mm Weight: approx. 4 kg
    5057 Orbit
    AED 7,350.00
  5. Dangerous Music 2-BUS LT Analog Summing Mixer

    The Dangerous 2-BUS LT is an analog summing mixer designed specifically for the digital audio environment. There are certain sonic qualities that analog equipment can impart to an individual sound or an overall mix. That's where the Dangerous Music 2-BUS LT analog-summing mixer comes in. Assembled by hand using only the finest mastering-quality components, the 2-BUS LT sums 16 channels (or eight stereo stems) of audio to a stereo pair. It allows you to run hotter digital fader levels while gaining headroom, spatial detail, and clarity- in short, the 2-BUS LT delivers a great sounding mix.

    2-BUS LT
    AED 5,670.00

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