Electronics Voltage 100-120V Wattage LF Amplifier - 80W, HF Amplifier - 65W Hardware Cabinet Material Vinyl-Laminated, Medium-Density Fiberboard Miscellaneous Connection Type IEC Monitors Protections RF Interference Output-Current Limiting Over-Temperature Turn-On/Off Transient Subsonic Filter External Mains Fuse Audio Controls Volume Range: A-Type TaperMF Control: Variable (-6 to +6 dB)HF Control: Variable (-6 to +6 dB)Low Cut: Flat, 80 Hz, 100 HzAcoustic Space: Flat, -2 dB, -4 dB Peak SPL 106 dB (at 1 Meter) Crossover Frequency 2.4 kHz Monitor Inputs 1 x Balanced XLR, 1 x Balanced 1/4"TRS, 1 x Unbalanced RCA HF Transducers 1.25” Silk Dome Tweeter LF Transducers Dual 6.5" Frequency Response 45 Hz – 22 kHz Input Impedance 10 kΩ Monitor Amplifier Power LF Amplifier - 80W, HF Amplifier - 65W Specifications Input Impedance 10 kΩ

Technical Specifications Acoustic Performance Configuration Active vented design Frequency Range (-3 dB) 30 Hz to 150 Hz Maximum Output 129 dB SPL Transducer LF Driver 18” (3” voice coil) Amplifier Amplifier Type Class D Total System Power 1,200W dynamic (600W continuous) Connections and Controls Inputs 2 x XLR/TRS line combo Outputs 1 x XLR Link Out DSP DSP Features LCD screen with EQ and multiple presets Enclosure Cabinet 15 mm plywood Grille 1.5 mm steel Handles 2 side Mounting Ground-stack provisions Dimensions (H x W x D) 26"x 19.3"x 25.8"(662 mm x 490 mm x 656 mm) Weight 83.8 lbs (38 kg) Power Power Input 115V / 230V ~50/60 switchable Maximum Current 5.3A (230V-50 Hz), 10.6A (120V)

Expandable when you need more I/O. The Studio 192 Mobile audio interace has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 Mobile with eight digitally controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 Mobile so that they naturally extend your analog inputs both sonically and functionally. General Features 22x26, 24-bit, 192 kHz audio interface and studio command center Input monitoring with StudioLive® Fat Channel DSP processing on every analog input and the first ADAT inputs Integrated zero-latency monitoring Speaker switching and talkback Integrated Software Total integration with included Studio One® Artist DAW software (Mac®/Windows®) for multitrack music production, monitor mixing with effects, and studio command features Wireless control over preamp levels from free UC Surface touch-control software for iPad® and Android™ tablet and from free Studio One Remote for iPad and Android tablet Wired control over preamp levels from free UC Surface touch-control software for Mac and Windows computers Compatible with most recording software for Mac and Windows Studio Magic Plug-in Suite included Flexible Connectivity Simultaneous I/O up to 22 inputs/26 outputs (8x14 at 192 kHz) Individual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC Surface 2 front-panel combo microphone/instrument inputs with XMAX remote-controllable mic preamps Individually switched 48V phantom power 2 rear-panel balanced, ¼” line level, direct-to-ADC inputs 4 balanced ¼” TRS outputs for monitor mixing and speaker switching ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz Stereo S/PDIF coaxial input and output 1 high-volume headphone output with dedicated DAC BNC word clock input and output with low-jitter clocking Digitalia USB 3.0 audio interface USB 2.0 compatible 24-bit resolution and up to 192 kHz sampling rate Top-quality 118 dB A/D/A converters Physical Road-rugged construction with all-metal chassis and metal knobs 12 VDC external power supply (included)

The R65's custom 6.8-inch Air Motion Transformer (AMT) ribbon tweeter responds to the subtlest waveforms and the highest frequencies, resulting in a greater sense of"air"and"space"that is characteristic of audiophile recordings. Custom coated, woven, 6.5-inch LF drivers produce a more dynamic output than conventional designs, thanks to the rigid cone's ability to maintain a more constant dispersion pattern across its frequency response range. The result is transparent sound with narrow vertical dispersion, which reduces undesirable reflections, and broad horizontal dispersion for a wide sweet spot. Driven by a 150W Class D amplifier, the biamped R65 delivers an open, clear, and less fatiguing listening experience. Features 2-way active AMT design provides articulate high-frequency response and wide stereo imaging Custom-designed, 6.8-inch, AMT ribbon tweeter responds to the subtlest waveforms and the highest frequencies 6.5-inch Kevlar LF drivers provide transparent mid- and low-frequency reproduction for clean sound and punchy bass Biamped 150W RMS (LF = 100W, HF = 50W), Class D power amplifier with switching power supply Acoustic Space settings (Linear, -1.5 dB, -3 dB, -6 dB) compensate for room placement Balanced XLR and ¼-inch TRS plus unbalanced RCA inputs provide flexibility for seamless integration into any environment RF interference, output current limiting, over temperature, turn-on/off transient, and subsonic filter protection Interchangeable black faceplate included Energy Conservation Mode (with enable/disable) lowers standby power to <0.5W External mains fuse Power: 100-120V, 60 Hz or 220-240V, 50 Hz

Features 10-inch glass-composite low-frequency transducer 250 watt, Class AB biamplification Input gain control (-30 dB to +6 dB, continuously variable) and continuously variable lowpass filter (50 Hz to 130 Hz) Switchable highpass filter removes frequency content below 80 Hz from the full-range signal sent to the main monitors Momentary footswitch (included) bypasses the subwoofer, highpass filter, and Sub Out Left and right, balanced XLR and ¼"TRS and unbalanced RCA main inputs