48-KHz, 2-channel USB Audio Interface with 2 Combo Inputs with Crystal Preamps, and Phantom Power

Mackie Mix12FX 12-channel Compact Mixer with Effects 12-input Desktop Mixer with 4 Microphone Preamplifiers, 4 Stereo Channels, 3-band Equalizers, Tape I/O, Separate Volume Headphone Levels, and an Effects Bus with 12 Onboard Effects Product Features: A high-performance, 12-input desktop mixer with onboard effects 4 mic/line input channels includes switchable phantom power Each mono channel also features a 3-band EQ and highpass filtering 4 stereo channels offer a choice of balanced and unbalance line input for FX send on each channel lets you pass signal to the dedicated effects processor 12 onboard effects let you add space, depth, and dimension to your mix Tape RCA I/O offers additional signal routing options Separate Main Mix and Headphones/CR volumes provide added mixing flexibility Built to Mackie's toughness standards for portable use

The KH 420 from Neumann is a three-way active monitor designed for use as a mid-field or main monitor, and can be used free-standing or flush mounted into a wall.

Active 3-way Studio Monitor with 8.25" LF Driver, 3" MF Driver, 1" HF Driver, LF/MF/HF Acoustical Controls, and XLR Input - Left-channel Monitor (each)

Active 3-way Studio Monitor with 8.25" LF Driver, 3" MF Driver, 1" HF Driver, LF/MF/HF Acoustical Controls, and XLR Input - Right-channel Monitor (each)

The KH 310 three-way active tri-amplified monitor features a Mathematically Modeled Dispersion™ Waveguide (MMD™), flexible acoustical controls, various input options and an extensive range of mounting hardware.

100-watt Bi-amped Active Nearfield Studio Monitor (each)

The KH 120 A studio monitor is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems.

Based on the excellent acoustical performance of the KH 810, the KH 805 is the optimal choice to be used in stereo applications, for example in combination with the KH 120 or KH 310.

A simple hardware remote used to control the system volume, LFE gain, and bass management bypass. A standard CAT-5 (or better) network cable, available from third parties, is required.

Mounting bracket for wall or ceiling fastening, or for fixing onto loudspeaker stands.

Wall bracket, can be tilted horizontally and vertically, tightens with bolts.

Adapter to fit the loudspeaker onto a tripod stand. Can be used with the LH 28, LH 29, or LH 37. Adding an LH 36 gives a tilting function.

'L' shaped adapter to mount a loudspeaker onto a wall.

Mounting hardware to vertically position a loudspeaker suspended off a ceiling.

Mounting adaptor plate to fit the LH 43, LH 45 or LH 46 with LH 12, LH 15, LH 25, LH 26, LH 28, LH 29, LH 38, LH 45, LH 61 and LH 80.

Tripod adaptor plate (115 mm) to mount on König & Meyer tripods No. 26790 and No. 26795.

A mounting adapter with a M8 hole spacing of 70 mm to fit onto the loudspeaker, M8 hole spacings of 115 mm onto an LH 28, LH 29, LH 37, LH 47, LH 48 or K&M Design Stand, and a 3/8” thread for a microphone stand. Vertical adjustment is also possible over the range ±20°. The centre of gravity is centered over the middle of the loudspeaker/microphone stand so it is not unstable.

The black GKH 310 Metal Grille from Neumann is designed to protect the drivers of the KH 310 A Active Studio Monitor.

Every DJ or musician needs a solid set of active monitors. Whether you are just practicing or heading to a small gig, having a solid set of monitors can make a big difference. With NPM100 you can have professional quality sound in an easily-to-transport mobile speaker system with all the right inputs. Numark’s NPM100 is a complete active stereo speaker system with built-in amplifiers that is perfect for bars, practice studios, small to medium-sized setups or anywhere that premium quality sound is required.

ALPS ELECTRIC DF354H (121G) INTERNAL FLOPPY DRIVE SPECIFICATIONS: BRAND: ALPS ELECTRIC MODEL: DF354H(121G) DC5V-1.0A MADE IN MALAYSIA CONDITION: BRAND NEW

The Pioneer Pro DJ DJM-S9 mixer is the ideal centerpiece to any digital vinyl rig. It's flexible enough for club setups, robust enough for battle DJing, and loaded with two audio interfaces that are fully compatible with Serato DJ.

Features Main Components 1,200W (dynamic) Class D power amp 15-inch woofer with a 3-inch voice coil Frequency response: 35 to 160 Hz Max SPL: 126 dB 2 combo XLR-¼-inch line inputs and two XLR direct outputs Controls Easy-to-use DSP performance presets: Normal — typical FOH use Mo’ Bass — extended low-end performance Locate—adjusts performance for arrayed and non-arrayed applications Normal — non-arrayed applications Cardioid — create a ground-stacked cardioid subwoofer array (using two of the same model subwoofer) Endfire — create an endfire cardioid subwoofer array (using two of the same model subwoofer) Fully variable lowpass filter (sets the upper frequency limit/crossover point) LP filter presets for use with AIR15, AIR12, and AIR10 LP filter presets for use with AIR15, AIR12, and AIR10 Alignment delay — adds delay time relative to full-range speaker Polarity — invert the polarity of the summed input signal Convenience Features 2 comfortable ergonomic side handles Ground-stack provisions Caster provisions (caster kit included) Defeatable front-panel LED Rugged, texture-painted, birch enclosure Tour-grade, 17 gauge steel grille

Features 10-inch glass-composite low-frequency transducer 250 watt, Class AB biamplification Input gain control (-30 dB to +6 dB, continuously variable) and continuously variable lowpass filter (50 Hz to 130 Hz) Switchable highpass filter removes frequency content below 80 Hz from the full-range signal sent to the main monitors Momentary footswitch (included) bypasses the subwoofer, highpass filter, and Sub Out Left and right, balanced XLR and ¼"TRS and unbalanced RCA main inputs

Electronics Voltage 100-120V Wattage LF Amplifier - 80W, HF Amplifier - 65W Hardware Cabinet Material Vinyl-Laminated, Medium-Density Fiberboard Miscellaneous Connection Type IEC Monitors Protections RF Interference Output-Current Limiting Over-Temperature Turn-On/Off Transient Subsonic Filter External Mains Fuse Audio Controls Volume Range: A-Type TaperMF Control: Variable (-6 to +6 dB)HF Control: Variable (-6 to +6 dB)Low Cut: Flat, 80 Hz, 100 HzAcoustic Space: Flat, -2 dB, -4 dB Peak SPL 106 dB (at 1 Meter) Crossover Frequency 2.4 kHz Monitor Inputs 1 x Balanced XLR, 1 x Balanced 1/4"TRS, 1 x Unbalanced RCA HF Transducers 1.25” Silk Dome Tweeter LF Transducers Dual 6.5" Frequency Response 45 Hz – 22 kHz Input Impedance 10 kΩ Monitor Amplifier Power LF Amplifier - 80W, HF Amplifier - 65W Specifications Input Impedance 10 kΩ

Expandable when you need more I/O. The Studio 192 Mobile audio interace has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 Mobile with eight digitally controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 Mobile so that they naturally extend your analog inputs both sonically and functionally. General Features 22x26, 24-bit, 192 kHz audio interface and studio command center Input monitoring with StudioLive® Fat Channel DSP processing on every analog input and the first ADAT inputs Integrated zero-latency monitoring Speaker switching and talkback Integrated Software Total integration with included Studio One® Artist DAW software (Mac®/Windows®) for multitrack music production, monitor mixing with effects, and studio command features Wireless control over preamp levels from free UC Surface touch-control software for iPad® and Android™ tablet and from free Studio One Remote for iPad and Android tablet Wired control over preamp levels from free UC Surface touch-control software for Mac and Windows computers Compatible with most recording software for Mac and Windows Studio Magic Plug-in Suite included Flexible Connectivity Simultaneous I/O up to 22 inputs/26 outputs (8x14 at 192 kHz) Individual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC Surface 2 front-panel combo microphone/instrument inputs with XMAX remote-controllable mic preamps Individually switched 48V phantom power 2 rear-panel balanced, ¼” line level, direct-to-ADC inputs 4 balanced ¼” TRS outputs for monitor mixing and speaker switching ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz Stereo S/PDIF coaxial input and output 1 high-volume headphone output with dedicated DAC BNC word clock input and output with low-jitter clocking Digitalia USB 3.0 audio interface USB 2.0 compatible 24-bit resolution and up to 192 kHz sampling rate Top-quality 118 dB A/D/A converters Physical Road-rugged construction with all-metal chassis and metal knobs 12 VDC external power supply (included)

The R65's custom 6.8-inch Air Motion Transformer (AMT) ribbon tweeter responds to the subtlest waveforms and the highest frequencies, resulting in a greater sense of"air"and"space"that is characteristic of audiophile recordings. Custom coated, woven, 6.5-inch LF drivers produce a more dynamic output than conventional designs, thanks to the rigid cone's ability to maintain a more constant dispersion pattern across its frequency response range. The result is transparent sound with narrow vertical dispersion, which reduces undesirable reflections, and broad horizontal dispersion for a wide sweet spot. Driven by a 150W Class D amplifier, the biamped R65 delivers an open, clear, and less fatiguing listening experience. Features 2-way active AMT design provides articulate high-frequency response and wide stereo imaging Custom-designed, 6.8-inch, AMT ribbon tweeter responds to the subtlest waveforms and the highest frequencies 6.5-inch Kevlar LF drivers provide transparent mid- and low-frequency reproduction for clean sound and punchy bass Biamped 150W RMS (LF = 100W, HF = 50W), Class D power amplifier with switching power supply Acoustic Space settings (Linear, -1.5 dB, -3 dB, -6 dB) compensate for room placement Balanced XLR and ¼-inch TRS plus unbalanced RCA inputs provide flexibility for seamless integration into any environment RF interference, output current limiting, over temperature, turn-on/off transient, and subsonic filter protection Interchangeable black faceplate included Energy Conservation Mode (with enable/disable) lowers standby power to <0.5W External mains fuse Power: 100-120V, 60 Hz or 220-240V, 50 Hz

RCF- F 6X- 6 CHANNEL MIXING CONSOLE WITH MULTI-FX RCF’s next generation F Series mixers builds on the rich analog legacy found in the professional E Series, featuring high quality sound in five formats from 6 to 24 channels. A powerful tool for the musician and the sound enthusiast. PRODUCT FEATURES: 2 Mic/Line inputs 2 stereo line inputs One Aux/FX (post) Balanced main output audio path from input to output 16 presets PRO DSP internal FX Sturdy metal chassis External universal power supply

AYRA PRO5 PROFESSIONAL ACTIVE TWO-WAY STUDIO MONITORS RCF AYRA PRO5 studio monitor works perfectly in any listening environment, whether large or small production facilities, with absolute clarity. It delivers accurate monitoring and provides the engineer or producer with a neutral tool to analyze recordings and optimize the mix; for this reason, we call it PRO. PRODUCT FEATURES: 50Hz – 20kHz Frequency Response 0° Phase Response 75W + 25W Class-D Amplifiers 5” Composite Fiberglass Woofer 1” ferrofluid cooled Soft Dome tweeter RCF Precision Waveguide DSP Processing with FiRPHASE Low distortion frontal Vented Ports

AYRA PRO6 PROFESSIONAL ACTIVE TWO-WAY STUDIO MONITORS RCF AYRA PRO6 studio monitor works perfectly in any listening environment, whether large or small production facilities, with absolute clarity.Featuring a dedicated powerful internal DSP that optimizes frequency response and dynamics together with the exclusive RCF FiRPHASE processing and selected components, the AYRA PRO is the first Studio Monitor in its class to boast an outstanding 0° phase response. PRODUCT FEATURES: 45Hz – 20kHz Frequency Response 0° Phase Response 80W + 40W Class-D Amplifiers 6.5” Composite Fiberglass Woofer 1” ferrofluid cooled Soft Dome tweeter RCF Precision Waveguide DSP Processing with FiRPHASE Low distortion frontal Vented Ports

Clear, Accurate and Comfortable for Studio-Quality Monitoring

REHEARSAL AND RECORDING MIXER FOR ENSEMBLES

2-IN/2-OUT, HIGH-RESOLUTION INTERFACE FOR MAC, PC AND IPAD