The sound of the Dangerous Monitor is transparent, yet musical. While achieving ruler flat specifications on paper is possible, the result is often cold and sterile. The marriage of specs and musicality is the ultimate goal- but due to the complexity, remains frustratingly elusive. Fortunately, Chris Muth, the equipment designer for many of the world’s top mastering facilities has this gift and the experience. No other audio company shares this pedigree: real world testing and fine-tuning amidst some of the world’s greatest studios and ears. The Dangerous Monitor will change the way you listen.

The Dangerous Music Liaison signal routing matrix puts the fun back into trying out creative combinations of gear. The Liaison also lets your setup remain absolutely flexible - just what you need if you want to survive in a market that often demands recording, mixing, and mastering services from a single studio. The Liaison's claim to fame is that it lets you instantly combine your favorite pieces of music gear together in various configurations, allowing you to try out new gear combinations and configurations and instantly recall them later.

It takes a studio owner/operator to know what other studio owners and engineers need from their gear. As former world-class studio owners and makers of custom mastering equipment, Dangerous Music builds no-compromise, problem-solving gear. Recreating a console's master section, the Dangerous Monitor ST is a stereo (upgradeable to 5.1) remote-controllable input source and speaker switcher, cue/talkback system, and headphone amplifier all in 1U package. It features a stepped analog volume attenuator, four input sources, three speaker outputs, and programmable I/O. With Monitor ST you can set up a great headphone mix while the talkback system, with dual control and dedicated slate output, lets you give the producer his own talkback button! Best of all, the Monitor ST lets you control your entire system right from the sweet spot.

The Dangerous Music 2-BUS+ is a 2U, 16-channel analog-summing mixer with both XLR and D-sub inputs. It raises the bar on its legendary 2-BUS predecessor with even lower crosstalk, distortion, and noise-floor performance along with stunningly precise soundstaging and center focus. Dangerous spent over two years developing three onboard audio processors that let you, with a simple push of a button and the twist of a knob, add tone and color to your stems or across your entire mix directly from the 2-BUS+. The 2-BUS+ is smartly designed, extremely useful, and sounds incredible.

The Dangerous Music D-Box combination Summing and Monitoring System provides an analog summing and monitor management solution for DAW based systems. More and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear. If you find yourself mixing in a variety of situations, don't mix without the D-Box!

The Dangerous Music Convert-2 gives you high-definition stereo reference monitoring, audiophile-grade mastering front-end playback conversion, and a USB input that lets you connect directly to your DAW. Its no-compromise design leverages Dangerous Music's many years of experience and dedication to the creation of truly "transparent, yet musical" high-end professional studio gear. The sound is stunningly detailed, with a lavishly defined bottom and breathtaking clarity across the entire audio spectrum. Convert-2 is smartly designed, extremely useful, and sounds incredible.

The Dangerous Music Convert-8 gives you high-definition surround reference monitoring up to eight channels, audiophile-grade mastering front-end playback conversion, and a USB input that lets you connect directly to your DAW. Its no-compromise design leverages Dangerous Music's many years of experience and dedication to the creation of truly "transparent, yet musical" high-end professional studio gear. The sound is stunningly detailed, with a lavishly defined bottom and breathtaking clarity across the entire audio spectrum. Convert-8 is smartly designed, extremely useful, and sounds incredible.

• The +48V phantom power for condenser microphones can be switched in groups of six.
• The Line Input and Channel Insert are implemented as jack sockets.
• The Gain can be controlled in the range 0-60 dB.
• The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.

• The +48V phantom power for condenser microphones can be switched in groups of six.
• The Line Input and Channel Insert are implemented as jack sockets.
• The Gain can be controlled in the range 0-60 dB.
• The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.

• The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
• The +48V phantom power for condenser microphones can be switched in groups of six.
• The Line Input and Channel Insert are implemented as jack sockets.
• The Gain can be controlled in the range 0-60 dB.