The Dangerous Music Monitor SR gives your Monitor ST system full 5.1 surround ability! As former world-class studio owners and makers of custom mastering equipment, Dangerous Music has always built no-compromise, problem-solving gear. Recreating a console's master section, the Dangerous Monitor ST is a stereo remote-controllable input source and speaker switcher, cue/talkback system, and headphone amplifier all in a 1U package. Expanding the possibilities of your setup, now you can upgrade your Monitor ST to full 5.1 surround on every input with the Monitor SR module add-on.

The Dangerous Music 2-BUS+ is a 2U, 16-channel analog-summing mixer with both XLR and D-sub inputs. It raises the bar on its legendary 2-BUS predecessor with even lower crosstalk, distortion, and noise-floor performance along with stunningly precise soundstaging and center focus. Dangerous spent over two years developing three onboard audio processors that let you, with a simple push of a button and the twist of a knob, add tone and color to your stems or across your entire mix directly from the 2-BUS+. The 2-BUS+ is smartly designed, extremely useful, and sounds incredible.

The Dangerous 2-BUS LT is an analog summing mixer designed specifically for the digital audio environment. There are certain sonic qualities that analog equipment can impart to an individual sound or an overall mix. That's where the Dangerous Music 2-BUS LT analog-summing mixer comes in. Assembled by hand using only the finest mastering-quality components, the 2-BUS LT sums 16 channels (or eight stereo stems) of audio to a stereo pair. It allows you to run hotter digital fader levels while gaining headroom, spatial detail, and clarity- in short, the 2-BUS LT delivers a great sounding mix.

The Dangerous Music D-Box combination Summing and Monitoring System provides an analog summing and monitor management solution for DAW based systems. More and more records are being tracked and mixed in remote or temporary locations with mobile DAW rigs. Control room setups can be tight. A reliable and flexible audio environment is a must. No need to sacrifice mix quality or struggle with monitor control! For integrated monitoring, mixing, and input selection for the computer musician on the go, the Dangerous D-Box is the uncompromising and affordable solution for all DAW-based musicians and engineers who need to trust what they hear. If you find yourself mixing in a variety of situations, don't mix without the D-Box!

Dangerous Music's Source is the all-in-one portable monitoring system project studio engineers have been waiting for! The Dangerous Source gives you access to a complete set of audio sources, including USB and AES digital audio, as well as a balanced XLR and an 1/8" stereo input (perfect for your iPod!). Separate source selections for your headphones and monitors will certainly also come in handy when collaborating with artists. If the complexity of your monitoring setup has you tied in knots, check out the Dangerous Source.

The Dangerous Music Convert-2 gives you high-definition stereo reference monitoring, audiophile-grade mastering front-end playback conversion, and a USB input that lets you connect directly to your DAW. Its no-compromise design leverages Dangerous Music's many years of experience and dedication to the creation of truly "transparent, yet musical" high-end professional studio gear. The sound is stunningly detailed, with a lavishly defined bottom and breathtaking clarity across the entire audio spectrum. Convert-2 is smartly designed, extremely useful, and sounds incredible.

The Dangerous Music Convert-8 gives you high-definition surround reference monitoring up to eight channels, audiophile-grade mastering front-end playback conversion, and a USB input that lets you connect directly to your DAW. Its no-compromise design leverages Dangerous Music's many years of experience and dedication to the creation of truly "transparent, yet musical" high-end professional studio gear. The sound is stunningly detailed, with a lavishly defined bottom and breathtaking clarity across the entire audio spectrum. Convert-8 is smartly designed, extremely useful, and sounds incredible.

It takes a studio owner/operator to know what other studio owners and engineers need from their gear. As former world-class studio owners and makers of custom mastering equipment, Dangerous Music builds no-compromise, problem-solving gear. Recreating a console's master section, the Dangerous Monitor ST is a stereo (upgradeable to 5.1) remote-controllable input source and speaker switcher, cue/talkback system, and headphone amplifier all in 1U package. It features a stepped analog volume attenuator, four input sources, three speaker outputs, and programmable I/O. With Monitor ST you can set up a great headphone mix while the talkback system, with dual control and dedicated slate output, lets you give the producer his own talkback button! Best of all, the Monitor ST lets you control your entire system right from the sweet spot.

• The +48V phantom power for condenser microphones can be switched in groups of six.
• The Line Input and Channel Insert are implemented as jack sockets.
• The Gain can be controlled in the range 0-60 dB.
• The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.

• The +48V phantom power for condenser microphones can be switched in groups of six.
• The Line Input and Channel Insert are implemented as jack sockets.
• The Gain can be controlled in the range 0-60 dB.
• The switchable Lo Cut filter (80Hz, 18dB) serves to eliminate low-frequency noise. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.

• The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
• The +48V phantom power for condenser microphones can be switched in groups of six.
• The Line Input and Channel Insert are implemented as jack sockets.
• The Gain can be controlled in the range 0-60 dB.